The Philadelphia Murder Story Read online

I heard her voice before I saw more than her burnished hair. “… can’t do it, Myron, you can’t!” she was saying. “I’ll do everything to stop you. It’s all my fault and it means everything to me. Everything, I tell you!”

  Her face and voice were alive with passionate determination. I started to move behind Myron to go out the other door, and then I was caught in the crowd of people streaming in, beginning the homeward rush of a city of commuters emptying itself at the close of the business day.

  Myron Kane’s Oxford-out-of-Virginia accent and slightly superior tone seemed shockingly casual compared with the girl’s intensity.

  “All right,” he said. “Marry me and I’ll skip it.”

  “Marry you!” It was a sharp, incredulous gasp. “You’re crazy. I’m going to marry Travis Elliot. You know it.”

  “Oh, no,” he said easily. “People don’t marry for gratitude any longer. You haven’t got any reason anyway to be—”

  “It’s not gratitude! It’s—”

  I was jostled toward the door just then, and went on to the taxi entrance, catching just a glimpse of the two bright red spots that had flared up in her cheeks, and her eyes shining with anger. If she was going to marry Travis Elliot, she was obviously Judge Whitney’s secretary, Laurel Frazier. I tried to get another look, but the door closed behind me.

  It was cold outside, and across Penn Square the sleet was coming down in slanting black lines through the maze of moving headlights. It was just then I was first aware of the gray-haired, wizened little man, his overcoat turned up around his neck, standing there also waiting for a cab. I had an instant fleeting impression that he’d been back there inside and had seen me eavesdropping, but I dismissed that as just my guilty conscience.

  I said, “Rittenhouse Square,” when the taxi starter asked me where I was going, and he turned back. “Wasn’t you going to Rittenhouse Square, buddy?”

  It was the little man in the gray coat. He nodded, sidled forward and waited for me to get in the cab.

  “Rittenhouse Square!” the starter called again.

  The door swung open and Myron Kane came out alone. He raised his hand toward the starter, stiffened abruptly, turned and strode rapidly back into the station. If I could have seen his face after he’d started toward the cab, I’d have thought he’d recognized me and was making an escape, but he couldn’t have seen my face any more than I could his, and he’d hardly recognize me from the knees down. He must have thought of something he hadn’t said to Laurel Frazier, I decided.

  The driver put his flag down. “Where to?” he asked.

  I gave Abigail Whitney’s number on 19th Street. The driver looked at the little man. Something seemed to have happened to him. His jaw was working, but no sound came from his lips.

  “Just… the corner of Walnut Street,” he said at last.

  He sat bolt upright as we nosed into the traffic, and then he glanced at me, not furtively at all, but with a kind of anxious curiosity and an obvious desire to say something if he could get up courage enough. At last he did.

  “Are you… going to Mrs. Whitney’s?” he stammered.

  “Yes,” I said.

  “Do you know Mr. Kane, by any chance? The—the great foreign correspondent?”

  I looked at him blankly. It would have been an extraordinary thing at any time, but after the last few moments it was incredible.

  “Why, yes, I do,” I said.

  “Then would you mind giving him this?” He fumbled in his pocket and brought out an envelope. “It’s a—a letter for him,” he said lamely.

  “May I ask why you didn’t give it to him yourself?” I inquired, bewildered, but curious too.

  “Was that him talking to Miss Frazier?” The envelope shook a little in his hand.

  “Do you know Miss Frazier?” I asked it, thinking what an odd kind of cat-and-mouse game we seemed to be playing with each other.

  “Oh, no,” he said quickly. “I know who she is. Her father was a—a great doctor. Everybody, poor and rich, loved him. I used to see her with him sometimes. But I don’t know her.”

  The little man spoke very hurriedly, as if trying to correct at once an idea I’d got that he was pretending to be better than he was.

  It was rather pathetic, because she hadn’t looked like the kind of person who’d think it was presumptuous of him to say he knew her.

  “Mr. Kane is staying right in the house with Mrs. Whitney,” he said, with a kind of simple awe that was almost startling.

  I tried not to smile. “You do know him?”

  He flushed uncomfortably. “Oh, no. I just… follow his writings. He’s wonderful, don’t you think so?”

  As I couldn’t say what I thought of Myron at the moment to someone who put him in the ranks of the major gods, I nodded.

  “And you’ll give him this?” He handed the letter to me.

  “I’ll be glad to,” I said, taking it.

  “He’s doing an article about Judge Whitney,” he said, after a moment. “I read that in the papers. I used to see Judge Whitney too. I could tell him lots of things about him.”

  “Good or bad?” I asked, as casually as I could. He looked at me so blankly that I let it go. “What if he isn’t there? He was in the station. He might be going away.”

  He looked apprehensively at the letter in my hand. “Just put it in the fire,” he said. “It isn’t really important. I wouldn’t want to bother anybody.”

  The driver slowed down at the corner of the square; the little man fumbled with the door handle.

  “I could send it back to you,” I said. He got out.

  “My name’s Toplady—Albert Toplady,” he said hastily. “Just Quaker Trust Company—that’ll get me. I’ll be much obliged—”

  The light had changed, the driver was waiting impatiently, and the cars behind us were, too, so I didn’t hear the rest of it. I looked back through the window, but Albert Toplady was lost in the stream of people hurrying home from work through the sleety darkness.

  The taxi skidded around the corner and to the curb in front of Abigail Whitney’s house. I caught my breath and got out. The house wasn’t pink. In the icy rain, it was the color of raspberry sherbet, and the soot had left black streaks hanging from the window ledges. I rang the doorbell and noticed I wasn’t alone on the step. A squirrel sat there, old and wet, twitching his moth-eaten tail impatiently, looking up at the door. It didn’t seem extraordinary to be standing there with him, and I wasn’t surprised when the butler, as old and in a coat as moth-eaten, took a walnut out of his pocket and gave it to him before he gave me a childlike, vacant smile and picked up my bag.

  “Mrs. Latham? Madam is in her room.” His voice had the remote quality of the very deaf.

  I followed him inside. The house was very handsome and surprisingly modern—more surprisingly so, in fact, than I then realized. There were mirrored panels in the soft beige walls. We went up a marble staircase curving gracefully to a wide foyer on the second floor. On the side wall were two more large mirrored panels, and in the space between them a decorative recess with a carved shell ceiling. A paneled library stretched across the back. The door to the room at the front stood open, and the voices coming from it, and not sounding very amicable, stopped abruptly as we came up.

  “Madam’s room,” the butler said.

  If the squirrel didn’t surprise me, Abigail Whitney did. It hadn’t occurred to me, when she’d said she did not now leave the house, that it was anything but another of the vagaries she was famous for, but in the wide room overlooking the square she sat propped up in yellow satin cushions against the yellow satin-upholstered back of an Empire swan-sleigh bed. There was a green satin cover over the blanket, and otherwise nothing of the bedroom apparent around her. The room was a drawing room, elegantly furnished, but crowded, as if she’d brought as much as possible out of her glamorous past to be there with her.

  The windows by the bed bowed slightly, so that she had a full view of the square, and I saw that she had m
ore than that. Outside were two mirrors. One was an old Philadelphia custom I’d heard of but never seen. It was placed so that the ladies of a day when they were less mobile and more ladylike could see who was at the door in the street. The other was fixed at an angle that showed the brownstone front next door. Bed or no bed, Abigail Whitney could keep track not only of her own entrance but her brother’s too.

  “Oh, Dear Child,” she said as she held out her hand to me.

  I was aware there were other people in the room, but it was the pair of blank blue eyes in the saffron face of the old woman that focused my attention. They were blank and vague, but they sharpened with surprising intentness as she took me in from head to foot, and without a glimmer of remembrance or recognition.

  “Dear Child,” she repeated. “You haven’t changed at All. I’m so Happy to see you Again.”

  I wouldn’t have remembered her either. There was no trace of the extraordinary beauty she’d had once. She had on a black padded silk coat with an enormous burst of diamonds in the white ruching at her neck. Her nose was sharp as a hawk’s and her hair was a preposterous dye job of brilliant henna in a short fuzz all over her head.

  Abigail Whitney’s feud with her brother didn’t, it seemed, extend to his family.

  “You remember my Brother’s children, dear Child,” she said. She emphasized words the way she capitalized them when she wrote. “Elsie, and Monk, and Elsie’s husband, Sam. No, not Sam. No one remembers Sam, because no one knew him. Sam is Respectable… Come, dear Boy, I want you to meet Mrs. Latham… This is Sam Phelps, dear Child.” Respectable was the word, I thought as Sam same forward. He was very bald, with a waxed mustache, pince-nez in his hand, a high wing collar, a black coat and knife-edge-pressed, gray-striped trousers. He was forty, I imagined, and looked as if he had all the prejudices he would ever need.

  We spoke to each other. There was nothing cordial about Sam, but there wasn’t about any of the others. Philadelphians, a famous Philadelphian once said, are taller and fairer than the Chinese but not so progressive, and, he might have added, not so warmly effusive as the English. In this instance, however, looking around at the three others nodding stiffly to me, I wasn’t surprised, for they’d obviously been in the course of a first-class family row.

  “And Travis, dear Child. You remember Travis Elliot.”

  The son of Mrs. Whitney’s old friend who had taken his own life seemed much more at home than Sam Phelps did, and furthermore, I thought, he did not look as if it would take any particular gratitude to make a girl delighted to marry him. He was tall and attractive and about thirty-five, and looked definitely what Mrs. Whitney had said he was, a successful young Philadelphia lawyer. I looked at Judge Whitney’s son Monk with more interest. He was at least old enough to be a major in the Marine Corps, and from the double row of ribbons, two of them star-sprinkled, over the pocket of his tunic, he had seen action in places far remote from Rittenhouse Square. His face was broad, rugged, tough and weather-beaten, and so sun-bronzed that his gray eyes looked very light. He had shaggy eyebrows and a big, generous mouth, and what was left of his hair after a G.I. haircut was dark and crisp.

  I wondered whether he’d really been wild or just headstrong. He looked disciplined enough now, and he couldn’t have been more than twenty-seven or eight, and people don’t get to be majors in the Marine Corps—out there—without something.

  After he’d spoken to me, Sam Phelps went abruptly to the side of the bed. “We must be going, I’m afraid. Mustn’t tire you.”

  “Goodbye, dear Boy,” Abigail Whitney said, hastily and with considerable relief, I thought. “Goodbye, Elsie.” She turned to me. “Do sit down, my dear. What is that you have in your hand?”

  I wasn’t aware at all that I was still holding Myron Kane’s fan mail.

  “It’s just a letter for Myron Kane,” I said. “A little man named Toplady gave it to me in the taxi.”

  I thought even then there was a short silence in the room.

  Mrs. Whitney spoke quickly, “Wasn’t that a book? Toplady on a Totem Pole?… Travis, where is Elsie’s coat? She has a Meeting.”

  Elsie Phelps spoke sharply. “I’m not leaving this house, Aunt Abby—not until you’ve told us what’s in that profile of father. You know what’s in it. We want to know too.”

  I’d already got the impression that Elsie Whitney Phelps was the focal point of the seething disturbance in the room. It seemed to me a fine instance of natural selection that she was Sam’s wife. She was thirty, probably, sandy-haired, with rather pale blue eyes, and not unattractive, in a green tweed suit and hat that she’d had a long time and would continue to have till she gave them to some extraordinary deserving and respectable indigent. There was a simple conviction of superiority about her that was not complacent at all, but just the natural consequence of having been born in Philadelphia, a Whitney, endowed at birth with the knowledge of right and wrong and no sense of humor.

  Mrs. Whitney held out her hand to me. “Elsie’s a Tiresome Woman, Dear Child,” she said. “You have no interest in this—”

  Elsie Phelps cast me an angry glance. “She’s a friend of Myron Kane’s, isn’t she? I’ll tell you what’s happened, Aunt Abby. You’ve been sitting up here for years trying to make trouble for father, and now it’s backfired.”

  Her husband and her brother both started to speak, and she turned on them hotly. “If you had any pride you’d do something, Monk Whitney!” Her voice rose. “It doesn’t make any difference to Sam. He doesn’t realize that people in our position can’t have mud thrown at them! And Travis— you’d think Travis would understand how I feel. If he wasn’t trying to defend Laurel Frazier—”

  “Keep Laurel out of this,” Monk said curtly. “It wasn’t her fault.”

  “Whose fault was it? If it hadn’t been for her, Myron Kane wouldn’t ever have thought of doing a story on father! He was mad about her in London last summer—father told me so. He says himself it’s the only reason he ever came here!”

  Travis Elliot said, “If I were you, I’d shut up, Elsie.”

  She turned furiously on him. “You’re a fine one to talk! After the smear campaign people put you through, everybody’d think you’d—” She stopped short, in a sudden silence that struck the room like a clap of thunder. “I’m sorry, Travis,” she said quickly. “I didn’t mean that. I shouldn’t have—”

  “It’s all right,” he said. His face was flushed a little. “Just get it straight, though. Nobody ever smeared me. People were damned decent to me. And if Laurel made a mistake, she didn’t do it on purpose. If you’d stow this holier-than-thou business, you’d make fewer yourself. I think you’ve said plenty, and if I were you I’d go home.”

  Mrs. Whitney was lying back on her yellow pillows.

  “All right,” Elsie Phelps said. When she looked at her aunt, her eyes were sharp pinpoints of anger. “When Aunt Abby feels better, maybe she’ll tell you what was in the sealed document Laurel gave Myron Kane. And why she’s so frantic to get it back.”

  Mrs. Whitney’s hand moved slightly on the green blanket cover.

  Monk Whitney turned abruptly. “What sealed document?”

  He’d been looking out the window at the mirror reflecting his father’s doorway. I saw in it, as he must have done, the slim, auburn-crowned figure of the girl there, visible in the light from the hall as she took the key out of the lock and slipped quickly inside.

  “What document?” he repeated.

  Elsie Phelps laughed shortly. “Nobody ever heard of anything. Nobody knows anything. If Myron Kane was in this conspiracy of silence, it would be lovely. But he isn’t. You’d better go back and get another ribbon in the Pacific; you’ve never been any good anywhere else. You can kill Japs, but you haven’t got what it takes to keep one news reporter from disgracing your own family.”

  He looked at her silently. There was an angry flush on Travis Elliot’s face as he turned and threw his half-smoked cigarette abruptly into the fire.
r />   “I think we’d better go,” Sam Phelps said nervously. He went to Monk Whitney and put out his hand. “Sorry. Elsie’s upset. All this war work she’s doing—”

  Monk Whitney smiled rather grimly. “I’m used to it, Sam. So long.”

  Sam Phelps made a stiff bow to me and followed his wife out. There was complete silence in the room for an instant. Abigail Whitney opened her eyes then.

  “Elsie is Very Trying,” she said. “I’ve always found it best not to listen to her. I Concentrate my Mind on Something Else.” She raised her hand toward me. “Dear Child, you want to go to your room. It’s upstairs, in back, or is it front? It’s wherever Myron isn’t, and I’m sure you can tell. Come down Again soon, won’t you?” She went on without a stop, “Travis, dear Boy, you must have a great many Things to do. I won’t keep you any longer—and close the door, it’s very drafty in here.”

  Travis Elliot followed me out into the hall and did close the door. Then he looked at me with a smile. “You’ll get used to her.”

  “I hadn’t realized she was an invalid,” I said.

  He nodded. “She slipped on the ice eight years ago, and she’s never walked since.”

  His face sobered. “It was coming from my father’s funeral. I’ve always felt sort of-Well, you know. That’s not why I come here, though. I’m nuts about her… Oh, I forgot.”

  He turned back and knocked on the door, and I went on upstairs, to find the back room, or was it the front.

  I knew the instant I pushed open the door that it wasn’t the back. My feet had made no sound on the thickly carpeted stairs. The girl kneeling on the floor beside the waste-paper basket, her back to me, her hair a shower of molten copper in the light from the desk lamp, was too intently occupied to be aware the door was opening until it was too late.

  She started violently and flashed her head around, a breathless gasp parting her red lips, the defiance that had darted into her eyes changing to alarmed dismay at the sight of someone she didn’t know. I must have looked just as startled myself.

  “Who… are you?” she stammered. Her face flushed crimson as she got to her feet in the middle of the litter of papers from Myron Kane’s wastebasket. Some of them were still in crumpled balls, and the ones she’d smoothed out to read had partly finished paragraphs on them, obviously discarded by Myron Kane as unsatisfactory.